Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Eduardo de Martino
The Trial of the Rebels

ID: 96424

Eduardo de Martino The Trial of the Rebels
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Eduardo de Martino The Trial of the Rebels


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Eduardo de Martino

painted Combate naval in 1838 - 1912  Related Paintings of Eduardo de Martino :. | Night View of Rio de Janeiro | Battle of Riachuelo | Noite de luar | Combate naval | Veleiro em alto mar |
Related Artists:
James Sant
(1820-1916) was a British painter specializing in portraits, and a member of the Royal Academy. Sant was born in Croydon and taught by John Varley and Augustus Wall Callcott. He lived to the age of 96 and produced an astonishing number of canvases for exhibition at the Academy, some 250 of them, from 1840 through 1904. He was elected to the RA in 1870, and in 1872 Sant was appointed Principal Painter in Ordinary (official portraitist) to Queen Victoria and the royal family. Sant resigned from the RA in 1914 to "make room for younger men." His work can be found at the Tate Gallery. His brother George Sant (1821 - 1877) was a landscape painter. His sister Sarah Sherwood Clarke (who married Frederick Clarke, Superintendent and later Secretary of the LWS Railway) was an artist of great talent, but all that remains of her work is a collection of 48 different views of Scotland from 1854; these were exhibited for the first time at the "Watercolours & Works on Paper Fair" in London in February 2010.
george gower
(born c. 1540 - died London 1596) was an English portrait painter who became Serjeant Painter to Queen Elizabeth I in 1581.
CAVALLINI, Pietro
Italian Gothic Era Painter, ca.1250-1330 Italian painter and mosaicist active mainly in Rome. His major surviving works are mosaics depicting scenes from the life of the Virgin for the Roman church of Santa Maria in Trastevere (1290s) and fragments of a fresco cycle, including a Last Judgment, for the church of Santa Cecilia in Trastevere (c. 1293). He was the first to break with the stylizations of Byzantine art; his figures have a sense of weight and three-dimensionality. Cavallini had many students,






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